2-J-3 ..the curved blur of the Clubhead path during the Address Routine..
Address is a relatively static position, yet blur suggests something moving at great speed, causing it to be not clearly seen. Can someone explain the apparent anomoly?
Originally Posted by Weightshift 2-J-3 ..the curved blur of the Clubhead path during the Address Routine..You need to read on a little further, I think ....... "and again through release and impact".
Address is a relatively static position, yet blur suggests something moving at great speed, causing it to be not clearly seen. Can someone explain the apparent anomoly?
Originally Posted by Burner You need to read on a little further, I think ....... "and again through release and impact".Yes of course. Forgive me, I was forgetting that the practice swing is part of Address. One other reference to blur does concern me though. It is in the last paragraph of 8-0 : "Then be sure you actually see the proper Blur of the Clubhead passage through Release." (6th Edition)
Also, the "address routine" involves a waggle.
Originally Posted by WeightshiftThe proper Clubhead Blur is a Three-Dimensional Arc -- Downward, Outward and Forward -- through the inside-aft quadrant of the Ball (from Impact Point to Low Point). The Blur (the Visual Equivalent of the Straight Plane Line) appears to the player as on the ground -- the Arc of Approach (In-to-Out). It is actually on the face of the Inclined Plane -- the Arc of Attack (Down and In-to-Out).
One other reference to blur does concern me though. It is in the last paragraph of 8-0 : "Then be sure you actually see the proper Blur of the Clubhead passage through Release." (6th Edition)
Could you explain what is the "proper" (or improper) blur?
Originally Posted by Weightshift Yes of course. Forgive me, I was forgetting that the practice swing is part of Address. One other reference to blur does concern me though. It is in the last paragraph of 8-0 : "Then be sure you actually see the proper Blur of the Clubhead passage through Release." (6th Edition)Good question . . . it is very much about Visual Equivalents which used to be Plane Line Equivalents for the old schoolers. This is one section in the book where several elements from the earlier editions did "make the traveling squad." But I think there is much to be learned particularly in the 5th Edition with regards to your question.
Could you explain what is the "proper" (or improper) blur?
TIA